A clew of worms was originally meant to be a family, until a misadventure led to “The one that got away”. Evoking a sense of play, Gayatri builds these old guitar strings into an anthropomorphic unit in the midst of an intense discussion. These whimsical, jewel-like pieces colours reveal a playful facet to Gayatri’s practice, one that looks at form as a sum of its parts.

Entranced with the visual of an abandoned building, Gayatri explores the visual elements that make up these structures, creating a fantastical alternate world. Blending function and form she envisions the endless possibilities for habitation and exploration.

Drawing inspiration from the Charlie Kaufman film by the same name, it jumbles bits of film dialogue with Gayatri’s soulful vocals and music arrangements.